Larry Sommers Fellowship

APPLy by july 5, 2026

Larry Sommers

This fellowship exists to honor Larry Sommers (1953-2009). Larry, a founding member of Seattle Print Arts known for his irreverent political prints, who was also owner and operator of Inky Dink Press. He was a wonderful mentor and an integral part of the Seattle arts community, as well as a charismatic teacher who had an immeasurable impact on students as the Instructional Technician at the University of Washington. 

This award provides a stipend of $3,000 to produce new work or to support a printmaking project in progress. This fellowship is open to artists residing in the Pacific Northwest who are current members of Seattle Print Arts. Current members of the Seattle Print Arts Board are not eligible to apply.

The selected artist will be determined based on the artistic intent (or project, if applicable) and images of work presented in the application, juried by a panel of arts professionals. The first $1,500 will be awarded when the artist is selected. The remaining $1,500 will be awarded after the artist’s presentation, within a year of the initial grant. In addition to the monetary award, the chosen artist will receive a one-year Seattle Print Arts membership.

The selected artist, or artist team, is required to present a talk about their work, at our Annual Meeting, to the Seattle Print Arts membership. If travel to the annual meeting in Seattle is not possible, the artist must provide a recorded video presentation prior to the event. 

Required Documents: Saved as two PDFs

PDF #1: All TEXT Documents

(We recommend saving files as: First Initial Last Name_1.pdf - for example: JSmith_1.pdf)

In this order:

- Biography, takes the place of a resume or CV (up to 300 words)

- Artist Statement, describing your work (up to 300 words)

- Letter of Intent, describing the project the fellowship will help you create. How will the grant help you accomplish your goals? (up to 300 words)

PDF #2: IMAGES

(We recommend saving files as: First Initial Last Name_2.pdf - for example: JSmith_2.pdf)

- 5-10 Images of your Work that are clearly labeled with Title, Medium, Dimensions, and Year Completed (this information should show up on the same page as the image).

Email PDFs to: submissions@seattleprintarts.org

Questions? Email us at submissions@seattleprintarts.org

ALL DOcuments due: july 5, 2026

Announcement of Award: August 2, 2026


Our 2026 Jurors

Ann Shafer

Photo Credit: Becky Redett

Ann Shafer is an independent curator, organizer of the Brooklyn Fine Art Print Fair, and creator and host of Platemark, the podcast dedicated to the world of prints and works on paper. A former curator at the Baltimore Museum of Art, Ann has spent her career immersed in the print ecosystem, organizing major exhibitions and building significant collections. Ann has a BA from The College of Wooster and an MA from Williams College, both in art history. In addition to the BMA, Ann has held curatorial positions at the Whitney Museum of American Art, the Williams College Museum of Art, and the National Gallery of Art.

Elizabeth Hawley

Elizabeth Hawley is the owner and director of Gallery No.85 in Seattle, a contemporary gallery dedicated to printmaking and works on paper. With graduate training in art history, experience in the art market, and a background in law, she brings a multidisciplinary perspective to her work with artists and collectors. Through Gallery No.85, Elizabeth is committed to expanding access to printmaking, supporting emerging and established artists, and fostering the next generation of collectors within Seattle’s vibrant arts community.

Jueun Shin

Jueun Shin is a Seattle-area visual artist and printmaker whose work combines Korean print traditions with contemporary monotype, collagraph, and installation practices. Born in Busan, South Korea, she earned BFA and MFA degrees in Seoul before relocating to the United States in 2015. Shin is the recipient of the 2023–2024 Larry Sommers Fellowship, as well as grants from 4Culture and Artist Trust. Her work has been exhibited nationally and internationally and explores memory, identity, and the natural environment through innovative print-based processes.